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Eleanor McGuinness

Agent

eleanor@pitchandsmith.com
+44 20 3637 3361
Assistant:
Niall O'Regan
niall@pitchandsmith.com

Andy Shauf (CAN)

The Party is the ANTI- Records debut for this Canadian songwriter, who grew up in small-town Saskatchewan.


Recording began with a band in Germany in early 2014, but Shauf—who is endlessly rewriting lyrics and rearranging songs, building them up and then stripping them back to their basics—decided to start anew back home in Regina. There, he set up shop at Studio One, located in an old CBC building, and was left to his own devices. The Party is not exactly a concept record, but it was a way for the singer-songwriter to get out of his own head. An after-party record, more like it.

Label

ANTI

Territory

EU / UK

Barbarossa (UK)

BARBAROSSA is the nom de plume of London-based multi-instrumentalist James Mathé.


Mathe’s musical journey started with folk-tinged balladry that saw him become part Fence Collective, and subsequently a band member for the likes of Jose Gonzalez, Johnny Flynn and Junip. With debut album 'Bloodlines', however, Mathé started to infuse his song writing with electronic flourishes, and now with the follow-up 'Imager', he has completed his transformation into a fully fledged electronic soul pioneer.

Territory

EU / UK

Bayonne (USA)

Roger Sellers is a lot of things. He’s a minimalist composer with a knack for making hypnotic, enveloping songs from a few repeated musical phrases. He’s a gifted musician who is mostly self-taught, having abandoned formal study because it was draining the life from his work. He’s a self-described disciple of Phil Collins. What he is not, however — despite multiple press reports to the contrary — is a DJ.


And it’s a good thing: Primitives, Sellers’ debut as Bayonne, is a rich, complex work, the kind with no clear rock parallel. In its winding, maze-like structures are hints of both Steve Reich and Owen Pallett, each instrument working a single melodic pattern over and over and over, as Sellers threads his soft, reedy voice between them. On songs like “Appeals,” the effect is hypnotic: notes from a piano crash down like spilled marbles from a bucket, as Sellers’ ringing-bell vocals swing back and forth between them. The end result is spellbinding music, meticulously-crafted songs where each tiny piece locks into another, and hundreds of them joined together create a breathtaking whole — like dots in a Seurat, or tiny bones in a dinosaur skeleton.

Label

City Slang

Territory

EU / UK

EMA (USA)

EMA began with the urge to self-exile. After the success of Past Life Martyred Saints and 2014’s prophetic The Future’s Void, EMA retreated to a basement in Portland, Oregon – a generic apartment complex in a non-trendy neighborhood, with beige carpeting and cheap slat blinds.


She returns with a portrait of a world both familiar and alien: The Outer Ring, a pitch-black world of half-empty subdivisions, American flags hung over basement windows, big-box stores and strip malls and rage. In a year dominated by working-class alienation, EMA — a Midwesterner who has never lost her thousand-yard stare — has delivered an album that renders American poverty and resentment with frightening realism and deep empathy.

Label

City Slang

Territory

EU / UK / Australia / Asia

Ewert and The Two Dragons (EST)

Ewert and The Two Dragons are an indie-folk band from Tallinn, Estonia formed in spring of 2009. The line-up consists of vocalist Ewert Sundja, guitarist Erki Pärnoja, drummer Kristjan Kallas and Ivo Etti on bass, guitar and other instruments.


Critics have titled them as "the crown jewel of Estonian music", Finnish music magazine Rumba was stunned by their performance at the biggest Baltic music festival Positivus, calling them "the best band at the entire fest" where they were on the line-up alongside Muse and Scissor Sisters.

Label

Warner Music

Territory

EU / UK

Ex Hex (USA)

Ex Hex is Mary Timony, Laura Harris, and Betsy Wright. They are a power trio hailing from Washington, DC, making the music you’ve been waiting for. Drums, bass, guitar, P90s, searing leads — this is unapologetic rock ’n’ roll spat out in the discipline’s mother tongue.


They’ve already toured the UK twice this year, playing a packed out show at London’s Oslo and Scala, and have bowled over crowds at Field Day, Primavera, End of the Road & other European festivals, alongside continuous US tours & festivals.

Territory

EU / UK

Fujiya & Miyagi (UK)

Brighton-based Fujiya & Miyagi have been making expansive, experimental and multifaceted electronic-driven music for over fifteen years now.


As an outfit they have been as successful in their investigations into bleep as they have elongated Krautrock wig outs, and creating breathy electro pop as fiercely as they do post-punk-indebted scratchy dance.


Their latest EP, released in May 2016, feels like an amalgamation of all of these factors, condensed succinctly into four tracks, the first of three planned 12" EPs which will accumulate in a new album in early 2017.

Territory

EU / UK / Australia / Asia

Girls Names (IRL)

Girls Names formed in Belfast, but they’ve long considered themselves a European band. The distinction is important – their vision of Europe is one of weird, labyrinthian histories, blackest-ever-black coffee, and long drives to dismal places.


It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, 'Stains on Silence' is one such release. Where their previous album 'Arms Around A Vision' proved a brazen statement of intent, 'Stains on Silence' bounds forth as its feature-length comedown. What could have seen the band buckle became an opportunity for approaching things tabula rasa .

Territory

EU / UK / Australia / Asia

HEALTH (USA)

HEALTH formed in Los Angeles in 2006, playing their first shows at The Smell, L.A.’s legendary DIY venue, which also hosts some of the earliest performances of No Age, Mika Mika and Abe Vigoda. “We just sat in a dark room with no windows and tried to figure out how to write a song,” HEALTH’s singer and guitarist Jake Duzsik says of the band’s early days. “Through a process of tug-of-war and cooperation, we started building these weird songs together.”


The latest album, DEATH MAGIC, was released in 2015 on Loma Vista Recordings. Co-producer and multi-instrumentalist John Famigietti described it as “bigger than anything we’ve done before but still uniquely our sound.” The album received critical praise from The New Yorker, Pitchfork (BEST NEW TRACK) and The FADER, while The Los Angeles Times heralded the band as “"One of the city's best live acts and inventive arrangers of raw noise and eerie vocal melodies... the first hints of DEATH MAGIC suggest a new fidelity, heaviness and precision, along with a marked clarity in singer Jake Duzsik's vocals.”


HEALTH has played sold out shows and festivals around the world ranging from Coachella to Primavera to Austin Psychfest, and toured with Nine Inch Nails and Gary Numan.

Label

Loma Vista

Territory

EU / UK

Jaga Jazzist (NOR)

For those who think they know Jaga Jazzist, the story of this Norwegian supergroup and Starfire - its fifth full-length studio album, hot on the heels of the acclaimed 20th anniversary vinyl box, '94-'14 - begins with a pop quiz:


Jaga Jazzist is:

(a) A jazz band;

(b) A rock band;

(c) A progressive rock band;

(d) A hip hop group;

(e) A rap group;

(f) A reggae group;

(g) A polka band;

(h) A comedy band;

(i) An electronica group;

(j) A classical ensemble;

(k) A choral ensemble;

(l) All of the above;

(m) None of the above.


The answer is, indeed, both (l) and (m) because across two decades Jaga has been all of these things but, at the end of the day, is really none of them. A point made all the more clear with Starfire - which, in some ways, returns to earlier roots while, at he same time, introducing new elements and, as ever, moving forward...always moving forward.

Label

Ninja Tune

Territory

EU / UK

Jape (IRL)

Jape began in 2003 as a solo project of Dublin musician Richard Egan. Over the years, the band has evolved to become one of Ireland’s most exciting and energetic live acts.


Jape’s music blends meticulously crafted lyrics with upbeat electronic rhythms. Using an innovative mix of live instruments, hardware samplers and sequencers, the band create a sound that encompasses many different styles and spans genres, a sort of gothic pop. They have been covered by The Raconteurs and won the prestigious Choice Music Prize in 2008.


This Chemical Sea is their fifth studio album and was released in January 2015, via Faction Records.

Territory

EU / UK / Australia / Asia

Jen Cloher (AUS)

“It’s self-titled.” The three-word answer is all that Jen Cloher requires to describe her recently completed fourth album, a letter in triplicate addressed to themes of Love, Music and Australia (the beautiful and the terrible). Jen likes best to tell the truth.


Jen Cloher is the culmination of a period of artistic and personal growth in which the artist took her rightful place as the punk-rock figurehead of Melbourne’s famous DIY music scene. The NIDA Graduate is an outspoken advocate for artist rights and the co-founder of the incredible Milk! Records label (Courtney Barnett, Loose Tooth, Fraser A. Gorman, Jade Imagine, East Brunswick All Girls Choir). Cloher’s fascinating life-story and compelling political voice is enough justification to pay her attention, but it’s the music that will have you returning again and again.

Territory

EU / UK

Jennifer Castle (CAN)

Over the course of her fruitful career in music, she has collaborated with U.S. Girls, Owen Pallett, Doug Paisley, Fucked Up, and Kath Bloom; she has toured with Destroyer, Steve Gunn, Cass McCombs, Kurt Vile, Iron & Wine, and M. Ward, among others. Daniel Romano has even recorded a song called “Jennifer Castle.” But never before has she sounded so certain of her uncertainty, or so possessed by the urgency of her explorations.


Angels of Death was produced by Castle and longtime collaborator Jeff McMurrich. Although augmented by notable other players at subsequent sessions, the core band comprised Paul Mortimer on lead guitar, David Clarke on acoustic guitar, Jonathan Adjemian on organ/piano, Mike Smith on bass (he also wrote the string arrangements), Robbie Gordon on drums, and Castle on guitar and vocals. Much of it, and most of Jennifer’s vocal tracks, were recorded live in the church over one cold weekend; “the moon,” Castle reflects, “was a member of the band.”

Territory

EU / UK

Jessica Pratt (USA)

Jessica Pratt is a San Francisco-based singer and musician. Her music is intricate, intimate, and contemporary yet seems as if it’s been cast from an earlier era.


Pratt’s voice rumbles gently, lower, wiser, with patient, compelling and heart-wrenching songs whose hand-crafted lyrics fit near the flesh, as though some sort of celestial, terrestrial, wise elfin whispered them in your ear and then promptly left you to dream, both spooked and charmed. Her ephemeral sound, and wise, humble tones will surely propel her towards a long and sophisticated career.

Label

City Slang

Territory

EU / UK

Kane Strang (NZL)

Kane Strang’s first proper album, Blue Cheese, picks up on the rough disaffection of his earlier demo collection, A Pebble and a Paper Crane, which he recorded in a WWII bomb shelter in Germany.


Back in his hometown of Dunedin, New Zealand, Strang spent two curious months alone, housesitting for his parents. Re-nested, yet still isolated, Strang composed all of Blue Cheese over those quiet days. He has since amassed a band and has started playing his distinct psych-pop live.

Label

Dead Oceans

Territory

EU / UK

Kitt Philippa (UK)

Kitt Philippa writes earnest, searing songs inspired by sound, visuals, words, environment, people, emotions and their combinations in constant flux.

Operating within a genre dubbed ‘Reflectivism’, Philippa is an organ scholar delivering dynamic piano, intense looped ballads and soulful electronica, all of which draw on universal themes with a deep infusion of associations.

Label

Territory

EU / UK

Lady Lamb (USA)

To many, Lady Lamb the Beekeeper (aka Aly Spaltro) is an enigma. Her songs are at once intimate and unbridled - both deeply personal and existentially contemplative. Spaltro is a fearless performer who can command a pitch-black stage with nothing more than her voice.


Yet, when on her newest work, After, Spaltro explores dualities further - giving equal attention to both the internal and external, the before and after. These new works - which found Spaltro co-producing with her Ripely Pine partner Nadim Issa - are sonically vibrant, with an assertive use of grit and brightness.

Label

BB*ISLAND

Territory

EU / UK / Australia / Asia

Little Scream (CAN)

LITTLE SCREAM’S music is — like her moniker — full of perfectly satisfying contradictions. It is at once familiar and completely distinct; effortlessly absorbing multiple genres into a sparkly and cohesive landscape.


'Cult Following' - released on Merge Records - is a record that deserves to be listened to from start to finish, with each song having been constructed to meld seamlessly into the next. There may be those who listen only to the record’s obvious catchy hit, but they would be missing out on the depth of stunners like “Wishing Well” and “Someone Will Notice.” Like a classic novella, you must pass through all of the record’s stages to fully experience a triumphant hero’s journey.

Territory

EU / UK

Merchandise (USA)

Merchandise is a band fighting against the easy categorization reserved for abbreviated biographies.


Formed as a trio in Tampa, Florida in 2008, the band has undergone ceaseless revision and reinvention. The project is equal parts punk misanthropy, maudlin balladeering, fine art, low humor, classical study, psychedelic spacecasing, mad science and pop genius.

Label

4AD

Territory

EU / UK / Australia / Asia

Ólöf Arnalds (ISL)

Over two critically lauded albums, that uncannily beautiful, acrobatic contralto, wedded to Ólöf���s liquid, finger-picked guitar or South American charango, intermittently ornamented by various degrees of chamber orchestration, has won legions of fans around the globe, abetted by a vigorous, peripatetic touring schedule.


All of which is good going for a singer who started her musical life fighting chronic stage nerves only to deliver her deeply personal songs in that most magical yet, let’s face it, hardly universally accessible mother tongue, Icelandic.

Territory

EU / UK / Australia / Asia

Scott Fagan (USA)

Scott Fagan’s 1968 debut album South Atlantic Blues reintroduced the world to one of the great lost folk singers of the 1960s, and an extraordinary story to rival that of Rodriguez. Fagan, the father of Magnetic Fields’ Stephin Merritt, was mentored by legendary songwriter Doc Pomus, almost signed to the Beatles’ Apple Records and played on the same bill at the Cafe Au Go Go as a pre-fame Jimi Hendrix.

Territory

EU / UK

Seamus Fogarty (IRL)

Irish alt-folk and electronica alchemist Seamus Fogarty will release his new album The Curious Hand on October 6th. It is his first for Domino and follows his debut full-length God Damn You Mountain (Fence/Lost Map) and 2015’s EP Ducks and Drakes.


Originally from County Mayo on the west coast of Ireland, Fogarty now resides in London, and the capital provides the canvas for The Curious Hand. Fogarty’s method of lifting sounds wholesale from his environment and tucking them into the folds of his songs like keepsakes, renders himself at once, artist and archivist as well as twisting the notion of the folk singer’s role as collector and custodian of stories, traditions and cultural curio.


The Curious Hand was produced by Seamus and Leo Abrahams (Brian Eno, Wild Beasts) who also plays on the album. Other notable players include Emma Smith on a plethora of instruments (violin, clarinet, bass to name a few), Rozi Plain (backing vocals), Aram Zarikian (drums) and Seamus’ brother John Fogarty (accordion).

Label

Domino

Territory

EU / UK

SLUG (UK)

SLUG the nom de plume of North East merrymaker Ian Black, returns with new album HiggledyPiggledy on 13 April 2018 via Memphis Industries.


Whereas previous album RIPE was made in collaboration with Peter and David Brewis of Field Music, HiggledyPiggledy was composed, produced and played entirely by Black enabling him to give free reign to his beguiling brand of Dada-rock.

Territory

EU / UK

Son Lux (USA)

Son Lux is the grand genre-less dream of Los Angeles composer Ryan Lott brought to roiling, vivid life with the help of two New Yorkers, guitarist Rafiq Bhatia and drummer Ian Chang. Each is a writer, producer, and performer with omnivorous taste and a penchant for wild improvisation—a band whose mix of electronic pop, unusual soul, and outright experimentalism feels more inviting than ever on the project's fifth album, 'Brighter Wounds'.


The songs therein leave behind Son Lux's typically universal themes for deeply personal fare. While making 'Brighter Wounds,' Lott became a father to a baby boy and lost a best friend to cancer. Days of "firsts" were also days of "lasts," and the normal fears that accompany parenthood were compounded by a frightening new reality—Lott's son arrived shortly after Election Day. These songs draw on all of that: warm reflections of a fading past, pain wrenched from a still-present loss, and a mix of anxiety and hope for a future that is promised to no one.

Label

City Slang

Territory

EU / UK

Swearin' (USA)

Swearin’ is the kind of band that comes around, at best, once a decade. Thankfully for us, they’ve come around twice.


After releasing two beloved full-lengths, 2012’s Swearin’ and 2013’s Surfing Strange , the Philadelphia band quietly put things on hold. It was due, at least in part, to the band’s main songwriters, Allison Crutchfield and Kyle Gilbride, ending their romantic relationship. And though Swearin’ tried to soldier on, it became far too stressful to keep going. But after a few years apart, those bad feelings disappeared. And when the band’s three members—Crutchfield, Gilbride, and drummer Jeff Bolt—found themselves in a room again, the conversation inevitably turned back to Swearin’.


Though it may have taken them a while, Swearin’ finally made the third album they always wanted. Fall into the Sun is as riotously affirming as their early work, but it’s buoyed by the kind of learned perspective that only comes with age. For long-time fans, it’s a record to be treasured. And for newcomers, it’s an equally warm introduction.

Territory

EU / UK

The Coathangers (USA)

In their thirteen years of existence, Atlanta’s tireless garage punks The Coathangers have cranked out five full-lengths and well over a dozen singles, splits, and EPs. Considering the band’s initial aspirations to merely hang out and play a few house parties, their relentless touring schedule is perhaps the greatest testament to the lasting power of their scrappy hook-laden records and the infectious energy radiating from their live shows. And while every Coathangers record has captured their buoyant turbulence and jagged euphoria, there is always some degree of magic that inevitably gets lost when bands go into the studio.

Territory

EU / UK / Australia / Asia

The Soft Moon (USA)

The Soft Moon announces his signing to Sacred Bones and confirms details of his fourth studio album ‘Criminal’, set for release on February 2nd, 2018.


‘Criminal’ is a confessional work. Through the stark lens of shame and guilt that has followed Luis Vasquez since a violent childhood growing up within the humming ambient sprawl of 80s Mojave Desert, here he documents the gut-wrenching sound of going to war with himself. Battling with his own sanity, self-hatred, insecurity, self-entitlement and grappling with the risk of these things transforming him into a person he despises, Vasquez has laid his feelings bare with this: his confession and most self-reflective work to date.

Label

Sacred Bones

Territory

EU / UK / Australia / Asia

Tiny Ruins (New Zealand)

Tiny Ruins are a band based in Auckland, New Zealand, conceived in 2009 by songwriter Hollie Fullbrook to describe her solo output. Fullbrook was born in Bristol, England, before moving to New Zealand at the age of ten. Growing up in West Auckland, she learnt the cello, guitar and wrote songs from her early teens.


Following five years living in Wellington, she collaborated with Barcelona-based A Singer Of Songs, releasing EP Little Notes independently in 2010. Debut Some Were Meant for Sea followed in 2011. Recorded by Fullbrook and producer Greg ‘J’ Walker (Machine Translations), the album was recorded in an old hall in South Gippsland, Australia. It received critical praise for its minimalist approach and lyrical flair.


Joining forces with bassist Cass Basil and drummer Alex Freer in 2013, an EP of older songs and B sides, Haunts, was recorded on tape machine in the Waipu bush. Following this, the trio met with future band-member Tom Healy to record their second album, Brightly Painted One, released in 2014. Fullbrook recorded a collection of songs in Brooklyn NY with drummer Hamish Kilgour of The Clean, resulting in EP Hurtling Through, released late 2015. This was closely followed by the release of Dream Wave - a 7" single recorded/produced by renowned filmmaker David Lynch.

Territory

EU / UK

TOY (UK)

It helps to understand that TOY don’t sleep. They’re indefatigable and this gives them both a searing clarity of vision and a shattered confusion of mind.


Clear Shot (released October 28th on Heavenly Recordings) sounds like a Beefheart corruption but this magnificent third LP represents the band’s fullest interrogation yet of more local, rain drenched and mushroom speckled Anglo-mystic roots… through Radiophonic Workshop, Comus and Fairport, COUM and Acid House all the way back to the druids, dragging stones and chanting under the astronomical symphony of early Time.

Territory

EU / UK / Australia / Asia / South America

Vive la Void (USA)

Vive la Void is the new solo project of Sanae Yamada, co-founder and keyboard player of Moon Duo. Yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in Moon Duo's substantial touring and recording schedule. The dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. The result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by Yamada’s understated but captivating vocal melodies and her striking lyrics.

Label

Sacred Bones

Territory

EU / UK

Welcome to Night Vale (USA)

WELCOME TO NIGHT VALE is a twice-monthly podcast in the style of community updates for the small desert town of Night Vale, featuring local weather, news, announcements from the Sheriff's Secret Police, mysterious lights in the night sky, dark hooded figures with unknowable powers, and cultural events.

Turn on your radio and hide.

Territory

EU / UK

Hello Pitch & Smith

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Pitch & Smith is an international booking agency representing artists from across the globe throughout Europe and the UK, founded in 2007.

Combining years of experience from all backgrounds of live music, we possess an expert understanding of live touring and its many unique dynamics. By striving to keep communication fluid across all levels we aim to ensure that the artist, promoter and audience are always supported and satisfied.

As avid music fans ourselves, we passionately believe in each artist on our roster and are dedicated to keeping live music alive.

Pitch & Smith Ltd
13 Hague Street
London, E2 6HN
United Kingdom

+44 (0)20 3637 3361